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Essays that explore the promise and limits of liberalism by one of America's Leading Literary Critics of the 20th Century, Lionel Trilling.
- Sales Rank: #6267413 in Books
- Published on: 1950
- Number of items: 1
- Binding: Hardcover
Most helpful customer reviews
3 of 3 people found the following review helpful.
Lionel Trilling: the Professor as Prophet
By Christopher (o.d.c.)
Publication date: 1950
Lionel Trilling was a professor at Columbia, and the familiarity with the "Great Books" engendered by teaching the Common Core is evident on nearly every page. Thus he invokes Stendhal in an essay on Sherwood Anderson, and, in an essay on Huckleberry Finn, he brings up Moliere:
"... In form and style Huckleberry Finn is an almost perfect work. Only one mistake has ever been charged against it, that it concludes with Tom Sawyer’s elaborate, too elaborate, game of Jim’s escape. Certainly this episode is too long—in the original draft it was much longer—and certainly it is a falling off, as almost anything would have to be, from the incidents of the river. Yet it has a certain formal aptness— like, say, that of the Turkish initiation which brings Molière’s Le Bourgeois Gentilhomme to its close."
... which has always struck me as somewhat far-fetched, although it has stuck in my mind for more than twenty years.
The essay on The Kinsey Report, which certainly contributed to the surprise best-sellerdom of this uncompromisingly highbrow book, has some of Trilling's funniest remarks, and shows that with a little common sense, an intelligent layman can prick holes in the methodology of 'social science,' and that literary criticism need not feel subservient to anyone in a lab coat.
Here is the opening of the magnificent "Tacitus Now":
The histories of Tacitus have been put to strange uses. The princelings of Renaissance Italy consulted the Annals on how to behave with the duplicity of Tiberius. The German racists overlooked all the disagreeable things which Tacitus observed of their ancestors, took note only of his praise of the ancient chastity and independence, and thus made of the Germania their anthropological primer. But these are the aberrations; the influence of Tacitus in Europe has been mainly in the service of liberty, as he intended it to be. Perhaps this influence has been most fully felt in France, where, under the dictatorships both of the Jacobins and of Napoleon, Tacitus was regarded as a dangerously subversive writer. In America, however, he has never meant a great deal. James Fenimore Cooper is an impressive exception to our general indifference, but Cooper was temperamentally attracted by the very one of all the qualities of Tacitus which is likely to alienate most American liberals, the aristocratic color of his libertarian ideas.
In a sense, this book is almost too rich. Many times I have put this book aside, and turned to more immediately lovable critics of this era, like Leslie Fiedler or Randall Jarrell. Ultimately, however, it is Trilling who looms largest:
"... We are creatures of time, we are creatures of the historical sense, not only as men have always been but in a new way since the time of Walter Scott. Possibly this may be for the worse; we would perhaps be stronger if we believed that Now contained all things, and that we in our barbarian moment were all that had ever been. Without the sense of the past we might be more certain, less weighted down and apprehensive. We might also be less generous, and certainly we would be less aware. In any case, we have the sense of the past and must live with it, and by it."
0 of 0 people found the following review helpful.
Five Stars
By phillip murray
good book
17 of 21 people found the following review helpful.
"Literary Criticism At Its Finest"
By Stanley H. Nemeth
It is an undeniable asset to have this classic work by one of America's greatest twentieth-century critics readily available again. Let me mention right off that the vast majority of the essays here have nothing to do with the fashionable Freudianism or bygone politics of the 1950's. Trilling's concerns as a literary critic and commentator on society go much deeper. He wishes to perform for his time a similar service to that John Stuart Mill rendered contemporaries in the nineteeth-century: the reminder that in disputable questions one has the obligation to see if one's intellectual opponents may possess some necessary portion of the truth. Mill, Trilling reminds us, found in the thought and poetry of Samuel Taylor Coleridge, a man, by the way, Mill profoundly disagreed with from metaphysics on down, a vivifying opposition and a liberating opponent, surprisingly able to cure the disabling aridity in Mill's earlier emotionless soul. Trilling feared that the majority "liberals" of the 1950's were especially open to the perennial temptation of bien-pensants of all sides, times, and places - a devolution into mere conformity and rigid ideology, an abandonment of the necessity as thinkers and citizens to be ever vigilant. Trilling's equivalent of Coleridge in this volume is the Master, Henry James, an author he thought certain to offend progressives mindlessly resentful of social hierarchy and supposed aestheticism. Trilling maintained that the James of "The Princess Casamassima" had much insight about art and politics that such "advanced" types ignored at their peril. (In a later volume, the self-identified "liberal" Trilling assigned a similar teaching function to Jane Austen's "Mansfield Park," a novel heavily on the side of tradition whose greatness he declared "was commensurate with its power to offend" the complacent "liberals" of its own day, his day, and most importantly - of any other day.
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