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Reveals how the project originated and how it was brought to fruition through the efforts of two great movie directors.
Film is the medium of the modern age, and in this spectacular, large-format publication, one of the pinnacles of contemporary moviemaking is celebrated. A.I. Artificial Intelligence (2001) was a collaboration between two cinematic giants: Stanley Kubrick and Steven Spielberg. Here, the directors’ combined visions and sensibilities are presented along with the work of their remarkably talented colleagues―above all, Chris Baker, the film’s conceptual artist.At the heart of the book are Baker’s drawings, many never before seen. Commissioned by Kubrick and used in Spielberg’s eventual production designs, the drawings display Baker’s imagination and rare technical skill. Accompanying the drawings are extracts from Kubrick’s notebooks, stills from the finished film, and photographs of behind-the-scenes action, highlighting the use of pioneering special effects, animatronic work, and the “virtual studio.” 300 color, 100 b&w illustrations
- Sales Rank: #1122636 in Books
- Published on: 2009-11-03
- Original language: English
- Number of items: 1
- Dimensions: 11.70" h x .90" w x 16.60" l, 4.94 pounds
- Binding: Hardcover
- 160 pages
Review
“A book… different from the coffee-table books of bygone times... that purports to disclose behind-the-scenes stories and to present a composite view of process as well as product. An important one” (The Architect's Newspaper)
“Suitable for film buffs; its insight into the planning of an epic film may attract students and filmmakers as well.” (Library Journal)
About the Author
Jane M. Struthers is Head of Publications at the University of the Arts, London, which houses the Stanley Kubrick Archive.
Jan Harlan was Executive Producer on a number of Kubrick films, including A.I. Artificial Intelligence, The Shining, Full Metal Jacket, and Barry Lyndon.
Jan Harlan was Executive Producer on a number of Kubrick films, including A.I. Artificial Intelligence, The Shining, Full Metal Jacket, and Barry Lyndon.
Chris Baker’s storyboards and conceptual artwork have been used in movies from Eyes Wide Shut to Indiana Jones and the Kingdom of the Crystal Skull.
Most helpful customer reviews
39 of 39 people found the following review helpful.
Very well researched and in depth
By Parka
[[VIDEOID:mo3BE2PO14H2HGR]]I was a bit surprised when I saw this book, published eight years after A.I. Artificial Intelligence was released. Time seems to stretch out with everything with this movie.
This book looks in depth at the production and also analyses the whole film thoroughly. If you don't already know, the film is inspired by a short story called "Super-Toys Last All Summer Long" written by Brian Aldiss in 1969. In 1976, Stanley Kubrick approached Brian Aldiss, and later with Steven Spielberg in 1984. With authorization from Kubrick before he passed away in 1999, Spielberg manages to finish the film in 2001. What happens during within all those time is all in the book. It's incredibly well researched and put together.
Besides production, there's also an extensive analysis of the film, act by act, with interviews from staff. It explores the philosophy, science and social-biology issues with robotics in the future. There's even an essay written by the director from the Personal Robots Group from MIT Media Lab.
This is one huge book measuring almost 20 inches diagonal, if go you by tv/monitor sizes. The pages are so big that the short story from Brian Aldiss are scanned and reproduced with handwritten notes.
Also included are storyboards and concept sketches from Chris Baker, as well as many photos from the set. It's interesting to see how the concept art evolved into actual sets and the discarded ideas. I didn't know that Rouge City, the one with lots of bright lights, is actually a miniature set. And Teddy, the bear, has more articulation joints than T-Rex from Jurassic Park. There are also extracts from Kubrick's notebooks but his handwriting is difficult to read.
This is a nice super-sized book looking at the art and making of the film. Recommended for fans of the movie.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
13 of 13 people found the following review helpful.
Finally...
By Flashfilms
A great and beautifully produced book about an enigmatic and mysterious film. The large format reproductions of Chris Baker's artwork are gorgeous. Stanley Kubrick's notes, annotations from Brian Aldiss, Ian Watson and Spielberg are gold. The editorials by Jan Harlan and Jane Struthers are fascinating and insightful, and at times quite moving -- especially Mr. Harlan's comment in the introduction, remarking on Stanley Kubrick's philosophy of filmmaking: 'First love it, and then worry about how to do it.'
For full disclosure, "A.I." was somewhat of a personal obsession, which haunted me from first reports that began appearing in the early days of the Internet rumor mill. Around the time of the film's release, I had the privilege to interview many of the filmmakers for an article about the film for Cinefex magazine, which I'm honored to see included in the 'recommended reading' notes of this book. One thing that my article lacked was Stanley Kubrick's voice. This book gives you that, in the annotations accompanying Chris's artwork and the observations of his colleagues. Bravo to Chris and to Thames & Hudson for pulling this material together; and to Messrs. Harlan and Spielberg, thank you for allowing this book to happen. It's long overdue, and it is a treasure.
Highly recommended.
Joe Fordham
Cinefex, associate editor
1 of 1 people found the following review helpful.
In depth look at Kubrick's (and Spielberg) AI.
By CarlosUNKNOWN
A nicely edited book, you will get to see lots of high quality scans from the concept artwork and from Kubrick's notebook, you will get to see Kubrick's hand writing, which I have to say, is difficult to read. You will not be disappointed, it is a must for fans of the movie and Kubrick. Just a warning: the book is huge, so might have a problem placing it on your bookshelf.
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