Senin, 15 April 2013

[B291.Ebook] Ebook Download Buffalo Bill's America: William Cody and the Wild West Show, by Louis S. Warren

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Buffalo Bill's America: William Cody and the Wild West Show, by Louis S. Warren

William Cody (1846—1917), a.k.a. Buffalo Bill, was the most famous American of his age. A child of the frontier Great Plains, Cody was renowned as a Pony Express rider, prospector, trapper, Civil War soldier, professional buffalo hunter, Indian fighter, cavalry scout, horseman, dime-novel hero, and actor. But Buffalo Bill’s greatest success was as impresario of the Wild West show, the traveling company of cowboys, Indians, Mexican vaqueros, and others, numbering in the hundreds, with which he toured North America and Europe for more than three decades. As Louis S. Warren reveals, the show company came to represent America itself, its dazzling mix of races sprung from a frontier past, welded into a thrilling performance, and making their way through the world via the modern technologies of railroad, portable electrical generator, telephones, and brilliantly colored publicity–an entrancing vision of the frontier-born, newly mechanized, polyglot United States in the Gilded Age.

Biographers have long disputed whether Cody was a hero or a charlatan. As Warren shows, the question already preoccupied critics and spectators during Cody’s own lifetime. In fact, the savvy entertainer encouraged the dispute by mingling fictional exploits with his not inconsiderable achievements to construct the persona of an ideal frontiersman, a figure who was more controversial than has been commonly understood. At the same time, his show provided a means for rural westerners, including cowboys, cowgirls, and especially Lakota Sioux Indians, to claim a new future for themselves by reenacting a version of the past.

The most comprehensive critical biography of William Cody in more than forty years, Buffalo Bill’s America places America’s most renowned showman in the context of his cultural worlds in the Far West, in the East, and in Europe. A rich and revealing biography and social history of an American cultural icon.

  • Sales Rank: #1352192 in Books
  • Published on: 2005-10-11
  • Released on: 2005-10-11
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.47" h x 1.65" w x 6.60" l, 2.36 pounds
  • Binding: Hardcover
  • 672 pages

From Publishers Weekly
In this ambitious biography, Warren depicts William "Buffalo Bill" Cody as a man who took a set of extraordinary skills, added a few fanciful tales and built a persona that made him one of the most recognizable men of his time. But it's in Cody's Wild West Show that UC-Davis historian Warren finds Cody's true genius: the ability to capture in theater the anxieties, cultural myths, ambitions, class divides and cultural direction of America as it approached the 20th century. Warren seeks metaphor and symbolism everywhere and is remarkably inventive in finding them. Readers who tire of the discussions of the domestication of America as captured in the Wild West Show, or theories that the show symbolized American labor unrest (with the Indians as stand-ins for labor), will find Warren's analysis of Cody's influence on Bram Stoker's Dracula or what Edvard Munch had in common with Cody's Wild West Show entertaining, if not totally convincing. Warren sends out a fusillade of theories about late-19th-century American culture, the American west and their intersection with the Wild West Show; some resonate, some are provocative and some simply (and unintentionally) amuse. All in all, Warren manages to both entertain and instruct. 41 b&w illus. (Oct. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In his public career, William Cody straddled two worlds and two eras. Born in 1846 in Iowa, he moved west as the nation expanded to the Pacific; he was a genuine product of the frontier who served as a Pony Express rider, army scout, and big-game hunter. Yet he achieved his greatest fame as the frontier was closing, and his Wild West shows, with their utilization of mass-marketing techniques and electronic gimmickry, clearly belong to the twentieth century. But, as Warren reveals in this engrossing and thoroughly enjoyable biography, Cody himself, and the public perception of his life, were always riddled with contradictions. In later life, Cody undeniably embellished his accomplishments, but Warren shows that, as a frontiersman, Cody was the genuine article. He was often self-centered, even narcissistic, but he seemed to genuinely like people and was generous to a fault. Warren has provided an outstanding examination of the life and times of an enigmatic "hero" who was perhaps our first media-driven superstar. Jay Freeman
Copyright © American Library Association. All rights reserved

Review
“The most ambitious book ever published about Cody and his times. No one interested in Buffalo Bill, 19th-century show business or the many meanings of the American West will want to pass it up.” —The New York Times Book Review

“Warren writes with the tireless ebullience of a scholar in love with his material. . . . The grocery tabloids missed a good thing by not being around when Buffalo Bill was king of the box office.” —The New York Review of Books

“Meticulously researched and entertaining. . . . A fascinating and accessible study of a man who . . . can still teach us today about how things are not always what they appear to be.” —The Portland Oregonian

“Not just a biography but an examination of the cultures of the eastern United States and Europe and their relationship with the American West.” —The Denver Post

Most helpful customer reviews

44 of 46 people found the following review helpful.
When the Legend becomes fact, print the legend
By Wayne Klein
An entertaining combination of history and biography Louis Warren's book manages to capture the elusive spirit of William Cody aka Buffalo Bill. Bill was a combination of hero, poser and entertainer as he frequently told tall tales linking him to the archetypical western hero Wild Bill Hickock. He dressed like Wild Bill, claimed to be his cousin (although the two weren't related Cody did meet Wild Bill at a young age and did travel with him later). Cody would variously claim that he was the youngest pony express rider (he neve rode for the pony express), was a spy during the Civil War (he wasn't) and was at many of Wild Bill's most famous exploits (he wasn't). It's ironic then that Bill Cody felt the need to embelish an already heroic career as a tracker and guide during the infamous Indian Wars. Cody lived during an uncertain time in the west and his role as a "white" Indian scout made people more comfortable that he was one of "us" who could fight and befriend one of "them" (i.e., the Indians whatever group they belonged to) unlike Wild Bill or other well known scouts who had reputations for violence and/or consorting (meaning marrying an Native American Indian)with the "enemy". Warren provides a fair balanced account of these troubled prejudiced times and what those on the frontier did to survive.

Why did Bill Cody feel the need to tell tall tales about his career when he wasn't the charlatan that many trackers and guides were? Cody had that need to be larger than life and learned by observing people like P. T. Barnum that a little bit of truth and a lot of hokum go a long way. As Maxwell Scott (Carleton Young) states in "The Man Who Shot Liberty Valance",
"When the Legend Becomes fact, Print the Legend". Perhaps Cody felt the facts weren't enough and that he needed to become a legend so that he might be recognized as such during his life time and after he died. Either way, this man who was an odd combination of hero and entertainer entered the the realm of legends. Interestingly, Buffalo Bill and Wild Bill Hickock were frequently confused as the same person by people of the time.

This marvelous book covers Cody's youth, his stretch as a scout, entertainer with his Wild West Show (which did feature Wild Bill Hickock at one time although Hickock supposedly became annoyed at one point by Cody's attempts to be like him)and later as a popular celebrity who embodied the lost days of the wild west. Featuring illustrations, Warren's book brings to life a lost era in America when heroism and legends became far more than stories to be told by camp fires late into the night.

14 of 14 people found the following review helpful.
Buffalo Bill's wild, wild West
By D. Donovan, Editor/Sr. Reviewer
William Cody was the most famous American of his times, renowned as a Pony Express rider, soldier, buffalo hunter and overall hero - but his creation of the Wild West show, a traveling company of cowboys and Indians which toured North American and Europe for over thirty years, solidified his importance and his name. BUFFALO BILL'S AMERICA: WILLIAM CODY AND THE WILD WEST SHOW provides the most detailed critical biography of Cody to appear in over forty years, considering his showmanship, his achievements, and the controversies which swirled around his life, both during time and into modern times. Chapters use source material references and quotes but maintain a lively style which lends to appeal by leisure audiences as well as students of American history.

9 of 12 people found the following review helpful.
Great!
By J. Johnson
Great book from a great professor. Reading this was like sitting in Dr. Warren's class again. He can totally make history come alive and this book is no exception.

See all 13 customer reviews...

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Senin, 08 April 2013

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Sun Tzu and the Art of Modern Warfare

  • Published on: 1600
  • Binding: Hardcover

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Jumat, 05 April 2013

[J838.Ebook] Download Demons, by John Shirley

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Demons, by John Shirley

Writers from Clive Barker to Bruce Sterling and Roger Zelazny have praised John Shirley’s searing, apocalyptic visions of postmodern hell on earth. Now this perversely brilliant author, one of the seminal representatives on the cyberpunk movement, unleashes his newest masterpiece.

DEMONS

In a future uncomfortably close to the present day, the apocalypse has surpassed all expectations. Hideous demons roam the streets in an orgy of terror, drawing pleasure from torturing humans as sadistically as possible. Divided into seven clans, these grisly invaders–gnashing, writhing, bloodthirsty monsters–seem horrifically to belong in our world.

Ira, a young San Francisco artist, becomes involved with a strange group of scientists and philosophers desperately trying to end the bloody siege. Yet through it all, Ira continues to paint–for in his canvasses lie crucial clues to the demons’ origins.

Yet the demons draw their strength from an all-too-familiar evil–a deadly malevolence supported by some of the greatest powers on earth, concealed beneath the trappings of status, success, and abused power. Ira and his allies– including a compelling young seeress–come to believe these demons didn’t just appear. They were summoned. But the most shocking revelation is yet to come . . .

EXCLUSIVE TO THIS EDITION: The original novella Demons was published as an acclaimed, limited edition hardcover which Publishers Weekly called a “mini-masterpiece.” Now the terror continues, as the sequel story, “Undercurrents,” takes the reader on a macabre journey into the center of the conspiracy that may lay waste to the Earth.



From the Hardcover edition.

  • Sales Rank: #336471 in eBooks
  • Published on: 2002-05-07
  • Released on: 2002-05-07
  • Format: Kindle eBook

Amazon.com Review
Nightmarish demons terrorize the world in this sharp-edged tale of horror and humanity from award-winner John Shirley. A young artist from San Francisco witnesses the demons' arrival and the world's response--panic, denial, and even cooperation in the slaughter. He joins a group of people who believe that human action brought the demons into the world and that the power of human consciousness--awareness of one's true self--is the only defense against them. Then nine years later, in the face of a new threat, the group must overcome conspiracy and the world's disbelief to battle demons once again.

Themes of wakefulness and sleep--the struggle for self-awareness against the deliberate denial of what's happening around us--form the counterpoint for the terrifying and often brutal events of the story. This is a fast-paced, finely told horror tale combined with a pointed examination of the ways in which people so often conspire in their own destruction. --Roz Genessee

From Publishers Weekly
To a novella of the same title, Shirley (...And the Angel with Television Eyes) adds a lengthy aftermath that, though it couples clunkily, offers a crafty elaboration of the dark metaphysics in the original parable about corporate greed. Nine years after the benevolent Conscious Circle group exorcised the ravenous demons who arose in response to toxic disaster, it's business as usual in America. Stephen Isquerat, a na‹f climbing the corporate ladder at the West Wind company, is convinced like most everyone else that the past demonic convergence was a hallucinogen-induced exercise in mass hysteria. Little does he know that his company's interest in "psychonomics," the manipulation of the spiritual power of business, is laying the foundation for a demon resurrection, or that his work marketing Dirvane 17, a potent neurotoxic pesticide, is making him the perfect vessel for their second coming. The first part of the novel is a fascinating if talky take on clinical demonology that greases the wheels for escalating events in the second part. Though the author conceived the two halves of his story as variations on the same theme, their differing approaches seem out of synch, a problem most notable in the perfunctory relationship of Conscious Circle members to Stephen's experiences. For all the narrative gear grinding, Shirley succeeds in fashioning an over-the-top occult thriller solidly anchored in a bedrock of social consciousness. (Mar.)July 24, 2000).
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
The apocalypse has come and gone and demons prowl Earth, forging a path of violence and torture as they rampage across the planet. A few scientists, aided by a young San Franciscan artist, pool their resources in a bold maneuver to end the reign of these creatures. From the streets of America's cities to the heart of the Middle East, Shirley's latest novel, based on an earlier story, combines fast-paced action, outrageous science, and graphic horror in a novel suitable for large horror collections.
Copyright 2002 Cahners Business Information, Inc.

Most helpful customer reviews

13 of 15 people found the following review helpful.
Another excellent short novel from Cemetery Dance folks.
By M. Krzmarzick
When it comes to John Shirley, you have to take your chances. In my humble opinion, I find him a writer of widely varying quality (though one who steadily improves, there is little backsliding in his work). If one goes as far back as CELLARS, there is really not much to recommend; however, Mr. Shirley has produced such excellent work as: IN DARKNESS WAITING; WETBONES; and, most recently, DEMONS. This is a terrific short novel--well-paced, gripping, and solid. Mr. Shirley's mastery of this short form is impressive. A sense of dread is pervasive thoughout, though his prose is lean and to the point.
In this most imaginative premise (though I sense some inspiration from John Ostrander's DEMON WARS arc in the GRIMJACK comics), unstoppable, murderous demons have suddenly appeared on Earth. They can make their presence known anywhere and anytime. With no defenses, humans must make their way through this hell on earth as best they can (this is Shirley's most interesting facet in the book--how John and Mary Sixpack continue about their daily business in this new dystopia).
It was a pleasure to read DEMONS, and I look forward to Mr. Shirley's next work.

0 of 0 people found the following review helpful.
Fantastic read!
By Gil Bavel
Among Shirley's best novels. #2 behind Wetbones, #3 Crawlers

0 of 4 people found the following review helpful.
Just fair to middlin'
By H. J. Spivack
I'd like to say this was terrific, cause the story itself sounded great. Unfortunately, I couldn't finish it. The story didn't keep my attention and there was just not a lot there.
If you really want to get this, I'd recommend the book, not the audio tape. Its entirely possible that I was annoyed at the reader's voice more than the story.

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Genesis 1948: The First Arab-Israeli War, by Dan Kurzman

This book tells the full story of the first Arab-Israeli war and the birth of the State of Israel. Based largely on some 1000 interviews with participants of all nations, it describes the important military and diplomatic events of that epic war - from the struggle between Truman and Dean Rusk to the fall of Jerusalem's Jewish Quarter; from the Irgun-Stern Gang massacre at Deir Yassin to the ambush of a Hadassah hospital convoy; from the clandestine operations of the Jewish underground in the US to the secret negotiations between Jordan's King Abdullah and Moshe Dayan. Here are anecdotes and glimpses of great figures such as Weizmann, Ben-Gurion, Dayan, Abba Eban, Abdullah, Glubb Pasha, Ralph Bunche, and Nasser, and of the ordinary people who did the fighting; concentration-camp survivors, Sabras, foreign volunteers, and Arabs from throughout the Middle East. Here are all the major and minor participants and events of the great conflict that set the stage for and is crucial to the understanding of the present-day Israeli nation.

  • Sales Rank: #1580145 in Books
  • Published on: 1992-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x 1.75" l,
  • Binding: Paperback
  • 804 pages

From Publishers Weekly
In this dramatic chronicle of the Arab-Israeli war from 1947 to 1949, some 1000 interviews express the human aspects of the conflict with remarkable fidelity. Illustrated.
Copyright 1992 Reed Business Information, Inc.

Review
... the best thing on the 1948 war for the general reader that this reviewer has read - or is likely to read. --Washington Post

Historians will be using this book for many generations... Kurzman has told his story in brilliant form and with deep human compassion and understanding. --James A. Michener, author

... the best thing on the 1948 war for the general reader that this reviewer has read - or is likely to read. --Washington Post

... the best thing on the 1948 war for the general reader that this reviewer has read - or is likely to read. --Washington Post

About the Author
Dan Kurzman, author of heart-stopping historical non-fiction books, has won several literary awards. Some of his books are "Day of the Bomb: Countdown to Hiroshima," "Ben-Gurion: Prophet of Fire," "The Bravest Battle," and most recently, "No Greater Glory."

Most helpful customer reviews

21 of 22 people found the following review helpful.
Monumental 1948 History - 800 Referenced Pages!
By Maximillian Ben Hanan
Make no mistake, reading "Genesis 1948 - the First Arab-Israeli" is no small undertaking. The book's 830 pages (without the preface) consist of some 793 pages with the text and accompanying maps while the remaining pages consist of extensive notes, a bibliography of more than 500 sources and a large and comprehensive index. The book is simply put, an epic of modern history and I highly recommend it as such.
The story is told in one of the best ways possible... from the vantage points of the participants. Much like the much-acclaimed best seller "O Jerusalem" by Larry Collins and Dominique Lapierre, Dan Kurzman. The author of "Genesis 1948," conducted extensive research into the history of the 1948 War for Israeli Independence consulting over 500 books, newspapers, periodicals, pamphlets, diaries and documents (written in a number of languages including French, English, Arabic and Hebrew) in addition to conducting a large number of interviews with participants from every side in the war (Egyptians, British, Israelis, Transjordanians, Americans, UN personnel, etc.). He ranged from the Arab League Library in Cairo to Government Press Department Library in Tel Aviv. He took all that information and cobbled it together into a dramatic human-interest story full of facts and referenced detail.
Some have called the work biased and "home team" coverage, but I strongly disagree since you can look up any of the author's facts and read them for yourself. Having said that, I do feel that the author had more sympathy for the Israeli side, but it's also clear that he had considerable sympathy for the poor Arab farmers (fellaheen) forced to fight a war in Israel in which most didn't believe. I have been reading the history of the modern Middle East for many years (from both the perspective of the Arabs and the Israelis) and I don't feel that the author left out significant details of the history especially considering the work was originally written in 1970 before the climactic 1973 Yom Kippur War. Contrary to other reviews, Kurzman has no problem talking about Jewish terrorism during the pre-1948 period and also heavily criticizes the Israeli side throughout the book. On a likewise note, Kurzman was lucky to make contacts and conduct research in the Arab world before the 1973 Yom Kippur War after which the Arab world largely closed up foreign access to Arab libraries, media sources and interview possibilities.
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Dan Kurzman wrote the following of his book (on page xi of the preface):
"I have checked every fact to the extent possible, and discarded any questionable information that could not be verified. In the case of conflicting and irreconcilable accounts of events, I generally present them with all of their sources. Quotations and reflections are taken from diaries, memoirs, and other documentary material or from personal interviews. I rarely use dialogue, the accuracy of which has not been confirmed by at least two of the participants in the exchange. Thus the language is as authentic as any that might be used in an autobiography of the person quoted"
"Using the techniques of the novelist and biographer, I have tried to bring the history alive. To a large degree, history, is the story of people; and this book describes their role in one of the most poignant and important stories of our time."
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What really makes the book work is its' honest and endearing first-person perspectives of the participants of the 1948 War for Israeli Independence. It's hard to not to find some admiration and respect for people like Abdullah Tel of Transjordan, Sayed Taha of Egypt, the enigmatic David Ben Gurion of Israel, or even Gammal Nasser, future dictator of Egypt. Their stories are told making full use of their own biographies, diaries and such. Lesser-known figures also have their stories told and it was the stories of some of these "minor players" that really endeared "Genesis 1948" to me.
I highly recommend this extensively referenced history of the 1948 War for Israeli Independence.
Review by: Maximillian Ben Hanan

13 of 14 people found the following review helpful.
A terrific account of the first Arab-Israeli war
By Jill Malter
This is the story of an unusual war, between Arabs and Jews in the Levant in 1948. While the war lasted from November, 1947 until March, 1949, the bulk of it was from the first big Arab operation against the Jews on January 14, 1948 until the final significant Israeli action (shooting down five British planes that invaded Israeli airspace on January 7, 1949).

One curious aspect of this war is that prior to it, no Jewish army had ever taken, occupied, and held an Arab Muslim city, town, or village in the Levant. Not in the entire 1300-year history of Islam. That's why many people were surprised to see the Jews actually fight, and there were comments about it that were absurdly insulting to both sides, such as "Man bites dog." Kurzman explicitly makes the point that the fighting on both sides was quite amateurish.

This history may explain the shock it caused when the Jews broke their 1300-year losing streak by taking and holding Deir Yassin, on April 9, 1948. Many Arabs would have considered that an unforgivable affront even had there been no Arab casualties. But it was even worse when over 100 Arabs died in the battle, including quite a few civilians. This helped spur exaggerations of what had occurred, and this in turn contributed to the decision of a huge number of Arabs, including 40,000 in Haifa, to flee their homes in the ensuing weeks.

These are some of the reasons why a few history books about this war are very strange, making it appear as if only one side fought in the war. And it is why a comprehensive, detailed, well-referenced, and well-researched book such as this one is so valuable.

There's an enormous amount of fascinating material in this book, but I was especially intrigued by one small portion which listed seven Arab arguments against permitting a Jewish state to exist in the region, as well as the Jewish replies. To me, this truly showed the extreme weakness of the Arab cause. I agreed with the Jews on a couple of the points and with the Arabs on none of them. Here are the seven Arab points and my assessment of them, so you can see for yourselves:

1) The Balfour Declaration had no legal basis, broke British promises to the Arabs, and could be fulfilled without a Jewish state. In addition, no international organization had a right to define territorial rearrangements.

I disagree. While the Balfour Declaration had no legal basis, the League of Nations version did. And while a Jewish home could exist without a state, the British 1939 White Paper had rendered that impossible. International organizations were not defining borders by recommending a state.

2) The Arabs, a majority in the region, were entitled to do what they pleased.

Even the majority needs to allow for minority rights. And the Jews were the majority in the partitioned area earmarked for the Jews, even before any Arabs fled. In addition, one reason the Jews were a minority in the region was that so many of them had been kept out of the Levant by force. A Jewish state would permit many of them to enter.

3) The Jews were descendants of Khazars, not Hebrews.

Most Jews were actually descendants of Hebrews, not Khazars. But even had no Jew been a descendant of a Hebrew, the question should have been whether the Jews had purchased their land honestly, with a sincere desire to live on it. And they had.

4) The proposed partition boundaries were idiotic and would start a war.

Yes, the recommended boundaries were idiotic. But they were not unfair to the Arabs. And the Arabs were the ones demanding a war, not the Jews.

5) Jews ought not be permitted to intrude into land that belongs to Arabs.

It doesn't belong to Arabs when they sell it to the Jews.

6) The Jewish state and Arab state recommended in the partition would not be able to cooperate economically.

That could be true, but so what?

7) Zionism was artificial and European and would corrupt Arab culture and tradition.

This takes the cake. Arab aggressors were complaining that it is a crime against nature to change the status quo. But the Arabs were changing the status quo by demanding to reduce Jewish rights. Besides, it can't always be a crime to change the status quo, or it would be a crime any time anyone was born, anywhere. Or died, or moved.

This is an excellent work, and I highly recommend it.

14 of 15 people found the following review helpful.
They don't come any better than this
By A Customer
I have read and re-read this book many times.
I always get new insights each time. It has
the feel of a "you are there" historical
account - a veritable time machine. This is
a fascinating book. Any library, public or
private, that does not have it is incomplete.

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